Javier Piñón’s 2010 exhibition of collages is built around depictions of the highly charged image of the earth goddess Babalon, her attendants, priestesses and their mystical terrain unfolding in a narrative of liberation, sensuality, death and rejuvenation. Together the female players act as warrior protectorates and elusive guards of mysterious natural rites, often in what appears to be an acts of sacrifice or sensual oblation. The densely rendered surroundings are a culmination of the singularly meticulous technical approach of the artist, carving and sculpting his original two dimensional source materials into optically accurate, air-tight backdrops that seem to heave and breathe with expectation.
